Puerta del Sol’s pulse powers Almodóvar’s 'Volver', while rooftops twist reality in 'Open Your Eyes'.
Red‑brick Beacon Hill saw equations in 'Good Will Hunting' and undercover intrigue in 'The Departed'.
Fog shrouds the Golden Gate as in Hitchcock’s 'Vertigo', while Victorian houses frame 'The Last Black Man in San Francisco'.
Malecón waves crash behind 'Fast & Furious 8' drag races and salsa nights of 'Dirty Dancing: Havana Nights'.
Rick’s Café may be Hollywood’s set, but the medina still whispers 'Casablanca', later revved up by 'Mission: Impossible – Rogue Nation'.
Burj Khalifa’s glass cliff hosted Tom Cruise in 'M:I Ghost Protocol' and warp‑sped starfleet in 'Star Trek Beyond'.
Hilltop villas from 'Parasite' overlook neon bustle later glimpsed in 'Black Panther'.
Pudong’s towers light up 'Skyfall' showdowns and 'Transformers: Age of Extinction' robo‑rumbles.
Tuk‑tuks whiz past Wat Arun in 'The Hangover Part II', echoing the backpacker haze of 'The Beach'.
Grand Bazaar chases in 'Skyfall' weave with rooftop leaps in 'Taken 2'.
Pink‑palaced Plaza de Mayo sings in 'Evita', while tangoed nights glow in Wong Kar‑wai’s 'Happy Together'.
Sugarloaf sunsets gild 'Fast Five' car jumps and the gritty alleys of 'City of God'.
Roma’s quiet Colonia depicted in 'Roma' meets the Día de Muertos parade of 'Spectre' down Paseo de la Reforma.
Steam rises from Blue Lagoon dreams in 'Walter Mitty', while cosmic horizons hinted at 'Interstellar'.
Mount Victoria became Middle‑earth in 'The Lord of the Rings', then jungle‑stomped under 'King Kong'.
Table Mountain towers over the apartheid‑era drama of 'District 9' and the diamond‑deal chases of 'Blood Diamond'.
Prater’s giant wheel turns through 'The Third Man', and cobbled lanes echo midnight talks in 'Before Sunrise'.
Charles Bridge shrouded in mist helped 'Mission: Impossible' pull off its spy caper and hosted concerts in 'Amadeus'.
Graffiti‑splashed alleyways pulse like 'Run Lola Run', while Checkpoint Charlie steals scenes in 'Bridge of Spies'.
Wind whistles off the Willis Tower where 'The Dark Knight' chased villains, and Ferris darted downtown in 'Ferris Bueller’s Day Off'.
Glass‑and‑steel streets stage the wisecracks of 'Deadpool' and the misty sparkle of 'Twilight'.
The CN Tower looms behind the comic beats of 'Scott Pilgrim vs. the World' and the fairy‑tale alleys of 'The Shape of Water'.
White sails of the Opera House crown harbour nights in 'Mission: Impossible 2', while waves crash beneath in 'Finding Nemo'.
Dhobi Ghat laundry lines and Marine Drive glitter in 'Slumdog Millionaire' and the rap anthem 'Gully Boy'.
Mahjong parlors and rooftop vistas paint the dreamy mood of 'In the Mood for Love', then morph into Gotham in 'The Dark Knight'.
Shibuya’s crossing flashes neon in 'Lost in Translation', and Godzilla’s roar still echoes over the skyline.
Gaudí’s kaleidoscopic façades in 'Vicky Cristina Barcelona' meet the shadowy alleys of 'The Machinist'.
The Trevi Fountain glitters under moonlight just as in 'La Dolce Vita', while angels race across the Vatican in 'Angels & Demons'.
Red double‑deckers rolling past Big Ben set the stage for 'Harry Potter' wizardry and the charming strolls of 'Notting Hill'.
Café‑lined Montmartre and the sparkle of the Eiffel Tower gave 'Amélie' and 'Midnight in Paris' their unmistakable romance.
From the glowing Griffith Observatory in 'La La Land' to the rain‑soaked, neon dystopia of 'Blade Runner', LA is Hollywood’s own shapeshifting playground.
Skyscrapers slice the sky above Times Square and yellow cabs blur down Broadway—no wonder 'Spider‑Man' and 'When Harry Met Sally' both fell in love with NYC.
